Conservation film
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Study
Field conditions first
The challenge in this work is not simply proximity. It is staying observant inside a situation that is moving between science, safety, logistics, and instinct all at once.
The camera has to hold enough composure to make the process legible while still feeling the volatility of the environment.


Study
A body of encounters, not one single scene
The wider project is better understood as a collection of shark encounters rather than a single hero moment. Different animals, different people, and different levels of tension all live inside the same visual world.
That is what gives the work its shape. Each film adds another angle on the same environment instead of repeating the exact same beat.

Study
Coverage under pressure
- Stay legible even when the environment is moving quickly.
- Capture enough process detail that the work feels grounded in real action rather than abstract danger.
- Let the tension come from proximity and timing rather than overworking the frame.